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Dec 23, 2016

Apple Music's Larry Jackson Says Black Artists Have Ushered In New Era Of Pop Music

Apple Music

Apple Music executive Larry Jackson has explained how black artists have changed the face of pop music in the last few years in an interview with the New York Times.

Apple’s streaming service had a big 2016, working closely with Drake in promoting his VIEWS album — which became the first to reach a billion streams on Apple Music. The record was premiered on Apple Music’s OVO Sound Radio and released exclusively through the Apple streaming service and iTunes.

Asked about the surge in streaming for Hip __hop and R&B artists, Jackson explained how the popularity of black artists has changed the very face of music. It’s a change Jackson has seen happen over the years, and he says that rap has nearly overtaken rock music among young audiences.

“From my perspective and from Jimmy’s, we’ve always had a very strong knack for signing and nurturing hip-hop and R&B acts. The thing I find more interesting now is: What’s the new pop? Pop has always been considered to be one thing, if you know what I’m saying. But when I look at the top albums of the year — it’s Drake, Beyoncé, J. Cole, Frank Ocean and the Weeknd — all black artists. How is that not pop? You don’t really hear Frank Ocean or J. Cole on pop radio, but streaming has ushered in what the new pop is.”

Speaking on the release of The Life Of Pablo through TIDAL, Apple’s Jimmy Iovine explained that “[Kanye] was part of Jay’s thing and chose to make a deal with his friend, and I respect that. I kind of felt like it was going to happen before it did.”

Read the full interview with Larry Jackson and Jimmy Iovine here.

Source : hiphopdx[dot]com

Swizz Beatz Previews New Music Off Upcoming Album

If you follow Swizz Beatz on Instagram then you would know he’s always creating new music in the studio, but after years of “album talk” it finally looks like Swizz has something in the works for us. On Thursday night, the Ruff Ryder producer took to Instagram to share numerous snippets of some upcoming records, which we presume is off his next body of work. Unless, he’s teasing us with previews of DMX’s comeback album, which he’s executive producing, but something tells me this is something different.

Either way, Swizz shared some serious new heat on IG, with features coming from 2 Chainz, Young Thug, French Montana and DMX.

Check out the snippets in the various clips (below) and let us know which one sounds the best to you?

Zoneeeeeeeeeeeeeeee

A video posted by therealswizzz (@therealswizzz) on

New Album Zooooonneeeeeeee @frenchmontana where you at?????

A video posted by therealswizzz (@therealswizzz) on

Album crazyyyyyyyyyy @hairweavekiller πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘πŸ‘‘ #Stunt 12345678910

A video posted by therealswizzz (@therealswizzz) on

The Album crazy 2017!!! @officialgiggs πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€πŸ’€

A video posted by therealswizzz (@therealswizzz) on

It's not A Game!!!!!! @teddysinclairxo @thuggerthugger1 Zoneeeeeeee

A video posted by therealswizzz (@therealswizzz) on

Album crazyyyyyyy @DMX ☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️☠️

A video posted by therealswizzz (@therealswizzz) on

[Via]

Dec 22, 2016

See First Picture Of Lloyd Banks' Precious Baby Girl

See First Picture Of Lloyd Banks

Lloyd Banks welcomed his daughter into the world earlier this month and now he has posted the first public picture of his little bundle of joy, named Christina Ryann Lloyde.

The happiest time of my life! My bundle of joy! ❤️ Christina Ryann Lloyde Daddy's little girl

A photo posted by Lloyd Banks (@lloydbanks) on

The baby girl is Banks‘ first child. The 34-year-old rapper announced her birth on December 8 in a Twitter post.

My baby girl is here!!!

— Lloydbanks (@Lloydbanks) December 8, 2016

Music-wise, the G-Unit MC has kept busy this year, releasing a slew of mixtapes including All or Nothing: Live It Up and the third installment of his Halloween Havoc series.

He also made headlines when he posed with The Game for a picture in Dubai, signaling an olive branch between the G-Unit affiliates.

Source : hiphopdx[dot]com

J. Cole’s Manager Says Controversy Surrounding “DΓ©jΓ  Vu” Beat Was None Of Their Concern

With all the excitement that surrounded J. Cole’s new album 4 Your Eyez Only, there was also some controversy that unsued in the days after it’s release as well.

ICYMI, producers Vinylz & Boi-1da called out producer Foreign Tek for his work on Cole’s “Déjà Vu” instrumental, which they felt was stolen from their work on Bryson Tiller’s “Exchange” smash. However, Tek claims that’s not the case & he created the beat on his own. Both of the tracks share the similarity of the sample of K.P. and Envyi's 1998 track “Swing My Way,” so the confusion could’ve easily been mistaken.

So what did J. Cole’s camp think of all the "Deja Vu" drama? It wasn’t much of their concern really. In an interview with Billboard, producer & Dreamville manager, Ibrahim "Ib" Hamad explained their decision to use “Deja Vu” for the album, despite all the similarities to Bryson Tiller’s record.

“I wouldn’t say there was any hesitation because I felt like it’s just two totally different songs. We had already made 'Déjà Vu,' like that song was literally made for his last album [2014 Forest Hills Drive] and we just knew it would fit better because of the story he wanted to tell on the album,” Hamad said. “Cole had already made the song, so when Bryson’s album came out and we heard it, it was a feeling like, ‘Damn, he used the same sample.’ But to Cole, it don’t matter. He’s not competing with Bryson. What Bryson’s song did was incredible, and to Cole, it was like, ‘It’s a part of the story I want to tell, so I’m gonna use [the beat].’ We didn’t really know the backstory at the time of what happened with Vinylz and Boi1da and [ForeignTeck] who made the beat. That was none of our concern.”

Hamad also told Billboard that the first two leaks from the documentary, “False Prophets” and “Everybody Dies,” were originally intended to be on the album, but didn’t make the final cut because Jermaine didn’t believe they went with the project’s story.

“The album was initially like 13, 14 songs and then just at the last second, we kind of were like, ‘Look, if we’re trying to tell a story, let’s just make it as clear as possible and cut it down to that.’ So when we cut out ‘False Prophets’ and ‘Everybody Dies,’ it really hurt,” Hamad said. “[…] We really wanted [the songs] on the album and it was like we still wanted people to hear it but we didn’t want to put the music out because we knew it wasn’t a real representation of the album.”

Read the full interview with Billboard here.

[Via]

Dec 20, 2016

Petition Calls To Remove R. Kelly From Soulquarius Festival 2017

Petition Calls To Remove R. Kelly From Soulquarius Festival 2017

The lineup for the first annual Soulquarius Festival was announced yesterday (December 19). The event, scheduled for February 18 in Santa Ana, California, is set to be headlined by R. Kelly and Erykah Badu, with the likes of Ja Rule & Ashanti, Jhené Aiko, The Pharcyde, The-Dream and more than a dozen other acts also booked to perform.

However, less than 24 hours after the lineup was announced, a petition has surfaced on Change.org calling for R. Kelly to be removed from the festival. The petition, titled “Kick R.Kelly’s rapist ass off the SOULQUARIUS lineup,” has garnered more than 1,000 signatures since it launched. The goal is currently set at 1,500.

The writeup for the petition reads:

“The Observatory venue of Orange County released an awesome lineup for their SOULQUARIUS event February 18th, with the exception of R.Kelly. Despite an endless flood of abuse allegations and widespread knowledge of his notorious ‘romance’ with the late singer Aaliyah, who was age 15 to his 27 years, Kelly has maintained a relatively successful career. It’s this sort of nonchalance and casual embrace of abusers that rests at the fulcrum of rape culture, violence against women, and in this case, misogynoir. 2017 is around the corner and many of us still have to look on in disgust as a proven predator, rapist, and serial abuser of young Black girls and women remains embraced in the world of music. Stop booking this man. Stop supporting this man. There’s great power in having a voice. Let’s send a message that the music is not ‘separate’ and the abuse of girls and women is *never* okay, no matter who you are or how many timeless ballads you’ve contributed to the world.”

Buy tickets for Soulquarius Festival here.

Source : hiphopdx[dot]com